Beyond Classic 2025

POLY AMORE

From couple over trio to poly amory …

exploring diversity of human love and lust.

Dear Friends,

We are very happy to welcome you to the seventh edition of Beyond Classic in this fabulous and historic concert venue, AMUZ.

As at every edition of this unique concert, we want to make a statement. For several years we have been observing and experiencing a growing polarization, and witnessing declining values such as acceptance, hospitality and empathy towards those at risk of exclusion. Even within our own Queer community, shame and embarrassment are too often taking the place of pride, and which has been for so many decades been the key of our empowerment.  Worldwide we see that anti gender/queer sentiments are growing, fueled by irrational fear and stereotyping.

The fetish community has a very strong language to challenge these threats, and yes, we want to use our voice in all the expressive forms that we have to empower our message of humanism. And in particular, this concert has over the years developed its own narrative. We are bringing together people with different backgrounds, interests, philosophies, preferences etc… curious to meet and to get to know each other, open to be surprised and inspired. In contrast to dividing people into categories and/or being ‘ashamed’ of one other, we believe in the inspirational power of connecting, discovering and sharing passion and expression. This evening, all our artists will subscribe to and communicate this message, using the language of music and dance. Ther

Beyond Classic Antwerp is organized by volunteers and all artists are ‘donating’ their performance.  Most of the production costs are offered by our generous partners and sponsors . This way, we can generate the maximum amount of money to support our charity beneficiaries.

A few words about the program and theme

Alone, in pairs, a threesome or in a group… while in sexuality sometimes concealed, controversial or even taboo it is completely natural in music. There are suitable pieces for all ways of coming together – solo, duet, trio up to bigger ensembles – and whether you prefer one or the other or all of them is just a question of personal taste. Is this perhaps why music is a wonderfully fitting metaphor for human sexuality in general and fetish in particular? Has music already hinted at, tried out and explored in earlier times what we can only really live out in sexuality today?

POLY AMORE is the theme of the new program by FETISH BAROQUE for BEYOND CLASSIC. In fact, gender boundaries were abolished and questioned early on in baroque operas some 300 years ago including lust and seduction as an integral part of their stories. The same happens in instrumental music, when different voices entice and seduce each other and come together to form most unusual pairings and groups. Why not!

Iris Vermillion, a true world star of the opera stage, presents opera highlights together with soprano Philipp Mathmann. Jaouad Alloul  a celebrated representative of the contemporary queer scene in Antwerp and Brussels is going in conversation with the baroque musicians, as does the instrumental ensemble in presenting the global classical hit: one of Vivaldi’s famous “Four Seasons”. And Sidi Larbi Cherkaoui, one of today’s most important choreographers, develops a new piece for Beyond Classic, this time with some three dancers. 

To end, a sincere and big thank you to the artists, AMUZ team and board, City of Antwerp, volunteers, partners, sponsors and last but not least all of you for making this exceptional concert possible and bringing us all together.

Thomas Höft
Bart Abeel

Beneficiaries

Beyond Classic Antwerp is organised by volunteers. Most of the production costs (venue rent, musicians, sound and lights, and catering) are donated by our generous partners and sponsors. This way, we can generate the maximum amount of money from the concert to donate to charity. This year’s proceeds will go to Leather Archives & Museum and the travel funds of the titleholders elected at Darklands.

LEATHER ARCHIVES & MUSEUM
The LA&M is one of the most significant accomplishments of the late 20th century movement for the rights, dignity, improved status, and self-acceptance of the leather and kink populations.

The museum recently launched a campaign to raise $2 million for much-needed renovations including making the entire collection wheelchair accessible.

Darklands has donated a first amount of $ 5000 to be followed by a donation of the money raised by WR1 this year.

Venue

Beyond Classic Antwerp takes place in the beautiful concert hall and former church, AMUZ. You can find it at Kammenstraat 81, 2000 Antwerpen

Car parking:
Q-Park: Kammenstraat 31
Q-Park: Lombardenvest 24-28
Parking Oudaan: Oudaan 15

Public transport:
There are several stops in the vicinity.
www.delijn.be

Tickets

 

SEATING CATEGORIES

Cat. A: € 72 (rows 1 – 6
Cat. B: € 62 (rows 7 – 13
Cat. C: € 52 (rows 14 – 19
Cat. D: € 42 (rows 20 – 25)
Cat. E: € 25 (side aisle – lim. view) 

Tickets are now available in the Darklands ticket shop.

 

Cast

FETISH BAROQUE and other artists

Iris Vermillion, mezzosoprano
Philipp Mathmann, male soprano

Jaouad Alloul, singer
Thomas Höft, dramaturgy & moderation

Austin Meiteen, dancer
Lateef Williams, dancer
N.N., dancer
Sidi Larbi Cherkaoui, choreographer

Maria Kubizek, violin
Barbara Konrad, violin
Agata Front, violin
Gunda Hagmüller-Wieninger, viola
Alexander Gropper, violoncello
Georg Kroneis, double bass & viola da gamba
Ivan Trenev, accordion
Sofie Vanden Eynde, theorbo
Ivan Trenev, Accordion
Kevin Manent-Navratil, organ & harpsichord
Michael Hell, harpsichord & recorder

Michael Hell, musical director
Georg Kroneis, artistic director
Bart Abeel, production director

Programme (still work in progress)

Christoph Willibald Gluck
from Orfeo ed Euridice
Aria: Che faro senz’ Euridice
solo Iris Vermillion + choreography by Sidi Larbi Cherkaoui

Carl Heinrich Graun (1704-1759)
from Cleopatra e Cesare
Duetto: Ecco mio Ben
duetto Iris Vermillion and Philipp Mathmann

U2
I still haven’t found what I am looking for
Solo Jaouad Alloul

Friedrich Holländer, arr. Michael Hell
Song: Ich weiß nicht, zu wem ich gehöre
solo Iris Vermillion

Carl Heinrich Graun (1704/ 05 – 1759)
from Cleopatra e Cesare (Berlin, 1742)
Aria: Voglio Strage
solo Iris Vermillion

Solo for Lute
solo Sofie Vanden Eynde

Nicola Porpora (1686 -1768)
from Polifemo
Aria: Alto Giove
solo Philipp Mathmann

Jaouad Alloul
Crazy
Solo Jaouad Alloul

Antonio Vivaldi – Four seasons
Violin Concerto in E major, Op. 8, No. 1, RV 269, “Spring” 

  1. Allegro
  2. Largo 

    III. Danza pastorale. Allegro

solo: Maria Kubizek

Giuseppe Sammartini
concerto for recorder, strings and basso continuo

  1. Allegro
  2. Siciliana

            III. Allegro assai

solo Michael Hell

Required ticket

Valid Access With Beyond Classic Ticket

Beyond Classic impressions

Gallery 2023

Gallery 2022

 


Concert info

Beyond Classic
Thursday 27 February 2025
19:30h (doors) – 20:00 (start)


Amuz

Former St.-Augustinus Church
Kammenstraat 81, 2000 Antwerpen

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Beneficiary

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